Wieniawski: Scherzo-Tarantella in g minor, Op. 16 for Violin and Piano
Henryk Wieniawski was not only one of the most important violin virtuosos in the 19th century but also wrote tailor-made showpieces for his instrument - thus making some brilliant contributions to the repertoire. With his Scherzo-Tarantella it is as if he could not decide whether to write a classical subdued Scherzo or an unrestrained Italian folkdance. So he chose a double title and thus aptly captured the unique character of this captivating piece. Henle's edition contains the detailed original fingerings and bowings from the first edition - occasionally supplemented by the editor Ray Iwazumi, a renowned authority on the repertoire.
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Wieniawski: Scherzo-Tarantella in g minor, Op. 16 for Violin and Piano
Wieniawski: Scherzo-Tarantella in g minor, Op. 16 for Violin and Piano
Henryk Wieniawski was not only one of the most important violin virtuosos in the 19th century but also wrote tailor-made showpieces for his instrument - thus making some brilliant contributions to the repertoire. With his Scherzo-Tarantella it is as if he could not decide whether to write a classical subdued Scherzo or an unrestrained Italian folkdance. So he chose a double title and thus aptly captured the unique character of this captivating piece. Henle's edition contains the detailed original fingerings and bowings from the first edition - occasionally supplemented by the editor Ray Iwazumi, a renowned authority on the repertoire.
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Henryk Wieniawski was not only one of the most important violin virtuosos in the 19th century but also wrote tailor-made showpieces for his instrument - thus making some brilliant contributions to the repertoire. With his Scherzo-Tarantella it is as if he could not decide whether to write a classical subdued Scherzo or an unrestrained Italian folkdance. So he chose a double title and thus aptly captured the unique character of this captivating piece. Henle's edition contains the detailed original fingerings and bowings from the first edition - occasionally supplemented by the editor Ray Iwazumi, a renowned authority on the repertoire.
