Jenkins: Stabat Mater Vocal Score
(2006-2007, 60 minutes)
For Contralto solo, SATB Chorus and Orchestra
A major new choral/orchestral work from the composer of Adiemus and The Armed Man. The 13th-century Latin sequence, set by many famous composers of the past, receives a fresh expression and intensity in Karl Jenkins's setting. The work is divided into twelve movements and incorporates additional texts including “Ave verum corpus” (originally composed for Bryn Terfel), “Lament” by Carol Barratt, and English texts derived from ancient Babylonian and medieval Persian sources. By turns dramatic and reflective, Stabat Mater will be eagerly seized on by Jenkins fans everywhere. Suitable for choirs of intermediate standard upwards.
For Contralto solo, SATB Chorus and Orchestra
A major new choral/orchestral work from the composer of Adiemus and The Armed Man. The 13th-century Latin sequence, set by many famous composers of the past, receives a fresh expression and intensity in Karl Jenkins's setting. The work is divided into twelve movements and incorporates additional texts including “Ave verum corpus” (originally composed for Bryn Terfel), “Lament” by Carol Barratt, and English texts derived from ancient Babylonian and medieval Persian sources. By turns dramatic and reflective, Stabat Mater will be eagerly seized on by Jenkins fans everywhere. Suitable for choirs of intermediate standard upwards.
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Jenkins: Stabat Mater Vocal Score
Jenkins: Stabat Mater Vocal Score
(2006-2007, 60 minutes)
For Contralto solo, SATB Chorus and Orchestra
A major new choral/orchestral work from the composer of Adiemus and The Armed Man. The 13th-century Latin sequence, set by many famous composers of the past, receives a fresh expression and intensity in Karl Jenkins's setting. The work is divided into twelve movements and incorporates additional texts including “Ave verum corpus” (originally composed for Bryn Terfel), “Lament” by Carol Barratt, and English texts derived from ancient Babylonian and medieval Persian sources. By turns dramatic and reflective, Stabat Mater will be eagerly seized on by Jenkins fans everywhere. Suitable for choirs of intermediate standard upwards.
For Contralto solo, SATB Chorus and Orchestra
A major new choral/orchestral work from the composer of Adiemus and The Armed Man. The 13th-century Latin sequence, set by many famous composers of the past, receives a fresh expression and intensity in Karl Jenkins's setting. The work is divided into twelve movements and incorporates additional texts including “Ave verum corpus” (originally composed for Bryn Terfel), “Lament” by Carol Barratt, and English texts derived from ancient Babylonian and medieval Persian sources. By turns dramatic and reflective, Stabat Mater will be eagerly seized on by Jenkins fans everywhere. Suitable for choirs of intermediate standard upwards.
$27.95
Jenkins: Stabat Mater Vocal Score—
$27.95
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
(2006-2007, 60 minutes)
For Contralto solo, SATB Chorus and Orchestra
A major new choral/orchestral work from the composer of Adiemus and The Armed Man. The 13th-century Latin sequence, set by many famous composers of the past, receives a fresh expression and intensity in Karl Jenkins's setting. The work is divided into twelve movements and incorporates additional texts including “Ave verum corpus” (originally composed for Bryn Terfel), “Lament” by Carol Barratt, and English texts derived from ancient Babylonian and medieval Persian sources. By turns dramatic and reflective, Stabat Mater will be eagerly seized on by Jenkins fans everywhere. Suitable for choirs of intermediate standard upwards.
For Contralto solo, SATB Chorus and Orchestra
A major new choral/orchestral work from the composer of Adiemus and The Armed Man. The 13th-century Latin sequence, set by many famous composers of the past, receives a fresh expression and intensity in Karl Jenkins's setting. The work is divided into twelve movements and incorporates additional texts including “Ave verum corpus” (originally composed for Bryn Terfel), “Lament” by Carol Barratt, and English texts derived from ancient Babylonian and medieval Persian sources. By turns dramatic and reflective, Stabat Mater will be eagerly seized on by Jenkins fans everywhere. Suitable for choirs of intermediate standard upwards.
